Costume design for How Shakespeare Won the West by Richard Nelson, directed by Jon Moscone, (2008).
Costume design for Death of a Salesman , and A View From the Bridge , both by Arthur Miller, directed by Tim Bond and Daniel Aukin in repertory, (2008).
Costume design for LoveCompassion! by Terrence McNally, directed by Anders Cato, (2007).
Costume design for Saturday Night Live commercial parodies, (1998-2008).
Costume design assistant for Saturday Night Live , (1997-2008).
Costume design for The Price by Arthur Miller, directed by James Naughton, on Broadway, (1999-2000).
Forged in Fire by Okello Kelo Sam, Laura Edmondson, and Robert Ajwang. Voorhees Theatre in Brooklyn, NY. 2015.
“Uganda Is Too Sexy: Reflections on Kony 2012.” TDR 56.3 (Fall 2012). 10-17.
Forged in Fire (play). By Okello Kelo Sam, Laura Edmondson, and Robert Ajwang. Excerpted in Refugee Performance: Practical Encounters. Ed. Michael Balfour. Bristol, UK and Chicago: Intellect Books and the University of Chicago Press, 2012. 61-66.
Eat Like a Bird (play). In Cultural Conversations: Works in Progress, Writers in the Making, ed. Susan B. Russell (Lemont, PA: Eifrig Publishing, 2011), 91-132.
"Confessions of a Failed Theatre Activist: Intercultural Encounters in Uganda and Rwanda." In Avant-Garde Performance and Material Exchange: Vectors of the Radical, edited by Mike Sell. Houndmills, UK: Palgrave Macmillan, 2011. 41-59.
“Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of Discomfort,” Theatre Journal, 61:1 (March 2009): 65-83.
Review essay: "Performing Africa." African Affairs 109 (2009): 151-160.
“The Poetics of Displacement and the Politics of Genocide in Three Plays about Rwanda,” in Violence Performed: Local Roots and Global Routes of Conflict, edited by Patrick Anderson and Jisha Menon. Houndmills, UK: Palgrave Macmillan, 2008. 54-78.
Performance and Politics in Tanzania: The Nation on Stage, Indiana University Press, 2007.
“Of Sugarcoating and Hope,” TDR, 51:2 (May 2007): 7-10.
“Marketing Trauma and the Theatre of War in Northern Uganda,” Theatre Journal, 57:3 (2005): 451-474.
“Love in the Time of Dissertations: An Ethnographic Tale,” with R O Ajwang, Qualitative Inquiry, 9:3 (June 2003): 466-480.
Artistic Director, The Cleveland Play House, (1994-2004)
Associate Artistic Director, The Denver Center Theater Company, (1983-1988)
Director, Orwell in America (world premiere), Northern Stage (2015)
Co-director, actor, Undue Influence, Dartmouth Dance/Theater Ensemble (2011, 2012)
Director, Gypsy, The New London Barn Playhouse (2015)
Director, Mack and Mabel, The Cape Rep Theater (2012)
Director, The Underpants, The Monomoy Theater (2015)
Actor, George Orwell in Orwell in America, 59E59 Theaters, New York City, dir. Peter Hackett (2016)
Actor, Our Town, Northern Stage, White River Junction, VT, dir. Carol Dunne (2015)
Actor, George Orwell in Orwell in America, Northern Stage, White River Junction, VT, dir. Peter Hackett (2015)
Actor, 12 Angry Men, Northern Stage, White River Junction, VT, dir. Malcolm Morrison (2013)
Actor, Lincoln, starring Daniel Day-Lewis, dir. Steven Spielberg (2012)
Actor, The Clean House by Sarah Ruhl, Denver Center Theatre Company, Denver, CO, dir. Wendy Goldberg (2006)
Director, Fiction by Steven Dietz, Curious Theatre Company, Denver, CO (2006)
Director, The Heidi Chronicles by Wendy Wasserstein, Dartmouth College, Hanover, NH (2005)
Director, Slabtown by Steven Cole Hughes, Denver Center Theatre Company, Denver, CO (2005)
Screenwriter, A Rumor of Angels, starring Vanessa Redgrave, MGM/UA (2002)
Lighting Designer, Red, George Street Theatre & Cleveland Playhouse, 2012
Lighting Designer, A Doll's House, Huntington Theatre Company 2017
Lighting Designer, God of Carnage, Asolo Repertory Theatre, 2012
Lighting Designer, A Delicate Balance, Macbeth & Endgame, Berkshire Theatre Festival, 2011
Lighting Designer, Faithful Cheaters, Trinity Repertory Company, 2017
Lighting Designer, 12 Angry Men, St Louis Repertory Theatre, 2008
Lighting and Projection Designer, Macbeth, A Christmas Carol, Northern Stage, 2016
Three pieces forthcoming in Imagined Theatres: Writing for a Theoretical Stage collected and edited by Daniel Sack (New York: Routledge), in press, expected spring 2017: “The Copper Thieves” (short play) by Irma Mayorga, “A Gloss on Erik Ehn’s ‘Crow Takes Hat’” by Irma Mayorga, “A Gloss on Nia Witherspoon’s ‘SHE’” by Irma Mayorga
The Panza Monologues, Second Edition. Written, conceived, and collected by Irma Mayorga and Virginia Grise. Austin: University of Texas Press, 2014. Read more HERE.
The Panza Monologues, with Virginia Grise, first edition. Austin: Evelyn Street Press, 2004. (out of print)
Performance Review. blu (world premiere) by Virginia Grise. Company of Angels Theater. Los, Angeles, CA. Theater Journal, October 2012.
“Invisibility’s Contusions: Violence in Cherríe Moraga’s Heroes and Saints and The Hungry Woman and Luis Valdez’s Zoot Suit .” Violence in American Drama : Essays on Its Staging, Meanings and Effects. Alfonso Ceballos Munoz, Ramón Espejo Romero, and Bernardo Muñoz Martinez (eds.), (2011) 157-171.
“Our Alamo: Resistant Theatricality in Kathy Vargas’s ‘My Alamo’ Photomontage Series,” Womens Studies: An inter-disciplinary journal, April-May 2009, v38 i3, 312-341.
The Panza Monologues, performance DVD, 2009. More HERE.
“Solace in Politics: An interview with playwright Ricardo Bracho,” Ollantay Theatre Magazine, (Fall 2008) 47-56.
Director, One Flea Spare , by Naomi Wallace, Dartmouth College.
Director, Something in the Air , by Richard Dresser, Dartmouth College.
Director, Twelfth Night , by William Shakespeare, Dartmouth College.
Reading, Third , by Wendy Wasserstein, Dartmouth College.
Actress, The Good Person of Setzuan , Wu Wei Theater of Frankfurt, U.S. tour.