Department of Theater: 2019-2020, 2020-21 Visiting Artists

Winter 2021

Rebecca Martínez

Rebecca Martínez: co-director, The Radical Joy Project. Rebecca Martínez is a director, choreographer, deviser, facilitator and ensemble member of Sojourn Theatre and the BOLD Associate Artistic Director at WP Theater. Originally from Denver, Colorado with deep ancestral roots in the Southwest, she's now based in Brooklyn, NY. Recent projects include: Sanctuary: A Soundwalk (Working Theater), Here We Are: Pandemic Fight (Theater for One - NY Times "Critics Pick") I Am My Own Wife (Long Wharf Theatre); Mojada: A Medea in Los Angeles (Repertory Theatre of St. Louis), Miss You Like Hell (Baltimore Center Stage), Wolf at the Door (Milagro Theatre, NNPN rolling world premiere), Anna in the Tropics (Fine Arts Center, Colorado Springs, Henry Award for Outstanding Direction). Rebecca has worked with INTAR, Working Theater, Signature Theatre, Manhattan Theatre Club, the Lark, The Playwrights Realm, New Dramatists, the 52nd Street Project, Radical Evolution, Milagro Theatre, Oregon Children's Theatre and Brave New World Repertory Theatre among others. Member of: Sol Project Collective, Lincoln Center Theater Directors Lab, INTAR's Unit52, SDCF Observer, Latinx Theatre Commons Advisory Committee, 2019 Audrey Resident, New Georges Affiliated Artist, 2018-2020 WP Lab, 2017 Drama League Directing Fellow, Member of SDC. She is the recipient of four Portland, Oregon Drammy Awards and the Lilla Jewel Award for Women Artists. Rebecca is an artist with the Center for Performance and Civic Practice where her work focuses on co-designed, cross-disciplinary social and civic practice engagement and invitation strategies.

Winter 2021

Jarvis Green

Jarvis Green: co-director, The Radical Joy ProjectJarvis Antonio Green is the Founding Artistic Director of JAG Productions, a Vermont and NYC-based Black theater company founded in 2016. He is the recipient of the New England Theatre Conference Regional Award for Outstanding Achievement in the American Theatre for his work with JAG in its inaugural year. Every year he produces five new plays, nurturing the work of five budding playwrights at JAGfest, one of the nation's leading incubators of new works by Black playwrights. In 2020 he launched the Black Joy Project, a three-tiered project: a Black Theatre methodology, a play embodying the method, and a documentary film capturing its inception. Jarvis was acknowledged by Native Son as a Black queer man who impacted the world in 2020 and sees himself playing a key role in bringing actors and stories from all over the diaspora to stages worldwide. He has a robust artistic resume having directed and performed in numerous professional productions all over the country. As an educator and scholar, he created a Black Theatre curriculum for Northwestern University, Notre Dame, and Northern Vermont University. Green is a New England Foundation for the Arts National Theatre Project Advisor and is a founding member of the Black Theatre Artist Council at the Roundabout Theatre Company in New York. He is thrilled to be making his Dartmouth Department of Theater directing debut! 

Winter 2021

Kevin Smith

Kevin A. Smith: musical director, The Radical Joy Project. Kevin is native of Omaha, Nebraska and holds degrees from the University of Nebraska at Omaha and Southern Illinois University.  Musical Supervisor at McLeod Summer Playhouse, Carbondale, IL. New York City credits include: Amas Romeo & Bernadette; Theater 2020 A Little Night Music; Three Act Theater Next to Normal. National Tours: Miss Nelson is Missing, Miss Nelson Had a Field Day, Stinky Cheese Man, The Little Engine That Could.  Regional credits: Northern Stage The Sound of Music, Mamma Mia; McLeod Summer Playhouse Gypsy, The Drowsy Chaperone, 9 to 5, Into the Woods, Sister Act, Singin' in the Rain, Bring It On, Hairspray, Spamalot, The Sound of Music, Chicago and Annie. Dartmouth College: Into the Woods, Cabaret, Urinetown, Columbia University, Ragtime.

Fall 2020

Jane Shaw

Jane Shaw: Sound Designer, Faith Hope and Charity. Jane Shaw has designed and composed for over 300 productions of theater and dance since 1998. New York credits include I Was Most Alive With You (Playwrights Horizons), Actually (Manhattan Theatre Club), Measure for Measure (Theatre for a New Audience), Blood (National Black Theatre), Ironbound (Women's Project, Rattlestick), The World is Round (Ripe Time), Food and Fadwa (New York Theatre Workshop), In the Time of the Butterflies (Repertorio Español), and over thirty productions with the Mint. Regional credits include Vanity Fair (Shakespeare Theatre Company, Washington DC and ACT, San Francisco), The Engagement Party (Hartford Stage), They Promised Her the Moon (Old Globe) as well as productions at  Cleveland Play House, Mark Taper Forum, Cincinnati Playhouse on the Park, Milwaukee Rep, Asolo Rep, Triad Stage, Capital Rep, Arena Stage, Dorset Theatre Festival and Williamstown Theatre Festival. Ms. Shaw has very much enjoyed designing down the road at Northern Stage, with productions including Oslo, Dear Elizabeth, Disgraced, Living Together and the New York premiere of Only Yesterday. She is a proud member of USA 829 and a founding member and co-Secretary of TSDCA (Theatrical Sound Designers and Composers Association). She has been honored with awards including a Drama Desk, Bessie, Henry, Premios Asociación de Cronistas del Espectáculo (2012), TCG Career Development Grant, and two Connecticut Critics Circle Awards. She was nominated for three Lortels, two Drama Desks and an Elliot Norton Award. Raised in Kansas and living now in Brooklyn, Ms. Shaw is a graduate of Harvard College and the Yale School of Drama. She is currently making her directing debut in New York City with the Mint's production of Michael, one of two plays in the company's evening Chekhov/Tolstoy: Love Stories.

Summer 2020

Niegel Smith

Niegel Smith '02: Director, Frost & Dodd Student Play Festival (Frost Performances) Niegel is a Bessie Award winning theater director and performance artist. He is the Artistic Director of NYC's Obie Award winning theater, The Flea; board member of A.R.T./New York; and ringleader of Willing Participant an artistic activist organization.

His theater work has been produced by The Alley, The Barbican, Goodman Theatre, HERE Arts Center, Hip Hop Theatre Festival, Magic Theatre, The Melbourne Festival, Mixed Blood, New York Fringe Festival, New York Live Arts, Phoenix Theatre Ensemble, Playwrights Horizons, Pomegranate Arts, The Public Theater, St. Ann's Warehouse, Summer Play Festival and Under the Radar, and his participatory walks and performances have been produced by Abrons Arts Center, American Realness, Dartmouth College, Elastic City, The Invisible Dog, Jack, The New Museum, Prelude Festival, PS 122, the Van Alen Institute and Visual AIDS. He often collaborates with playwright/performer Taylor Mac and with artist Todd Shalom. Smith was co-director of the critically acclaimed 'A 24-Decade History of Popular Music', winner of the Kennedy Prize in Drama, the Edwin Booth Award and a Pulitzer Prize finalist.

Before surviving high school in Detroit, Niegel grew up in the North Carolina piedmont, fishing with his dad, shopping with his mom and inventing tall-tale fantasies with his two younger brothers.

Alek Deva

Alek Deva: Video Editor, Frost & Dodd Student Play Festival. Alek creates music, sound, and video for stories and storytelling, with a particular interest in live events. Work includes: Oslo (projection design, Northern Stage), Dear Elizabeth (projection design, Northern Stage), A Doll's House (sound design & original music, Northern Stage), Macbeth (video design, Northern Stage, directed by Stephen Brown-Fried), Fences (sound design & original music, JAG Productions), The Mountaintop (sound design & original music, Northern Stage), 4000 Miles (sound design & original music, Shaker Bridge Theatre), Resfeber (original music & direction, modern dance piece), The Sweetest Land (original score, documentary film). As Technical Director for Black Ink Presents: Joe Hisaishi Symphonic Concert: Music from the Studio Ghibli Films of Hayao MiyazakiLa La Land in ConcertLove Actually in Concert, and Danny Eflman's Music from the Films of Tim Burton. Alek holds a degree in English with a focus in Poetry Writing from the University of North Carolina at Chapel Hill. In his free time, he enjoys reading, studying Ancient Greek, and making terrible puns.

Winter 2020

Jennifer Reiser '09

Jennifer Reiser: Lighting Designer, Sweet Science of Bruising. Jennifer is a lighting designer for theater, dance, opera, and events. Recent designs include: Byhalia, Mississippi (The Kennedy Center), Rusalka (Madison Opera), world premieres of MASC and GAY GUERRILLA with MADBOOTS DANCE (The Joyce Theater), Oslo; Dear Elizabeth; Venus Rising (Northern Stage), Wild Honey; The Hairy Ape; Girl of the Golden West (THEATREWORKS), West Side Story; The 39 Steps; Gypsy (New London Barn Playhouse), The Late Wedding; 1001 (Columbia University), Reread Another (Target Margin Theater). She was the associate lighting designer on the Broadway production of Ink and the assistant lighting designer on the Broadway productions of Harry Potter and the Cursed Child, Waitress, and Side Show. B.A. Dartmouth College, M.F.A. NYU-Tisch

Fall 2019/Winter 2020

Paul West

Paul West: Fight Choreographer, Sweet Science of Bruising and Red Speedo. Paul is a native of Vermont who studied in California and spent years on the west coast regional theater circuit; favorite roles from that period included Alan in Picnic at the Sacramento Theatre Company and Bill in Down the Road at the Pacific Repertory Theatre. He then moved back east to NYC and later to Washington DC, where he spent three years in the role of Tony Whitcomb in Shear Madness at the Kennedy Center. Since returning to Vermont, Paul has appeared as Frank N. Furter in The Rocky Horror Picture Show at Pentangle Arts and in A Christmas Carol, The Little Mermaid, and Oslo at Northern Stage.

Fall 2019

David Remedios

David Remedios: Sound Designer, The Living. David has previously designed Don Juan Comes Back from the War, In the Next Room (or, the vibrator play) and Angels in America: Millennium Approaches for Dartmouth College. Recent credits include The Clean House (Portland Stage), A Welcome Guest and Wrecked (Contemporary American Theater Festival), The Haunted Life (Merrimack Repertory Theatre), The Burdens (City Theatre Company), and (Alley Theatre). David's work has been heard regionally at Trinity Repertory Company, 59E59, Geva Theatre Center, Huntington Theatre Company, Studio Theatre, Theatre for a New Audience, CenterStage Baltimore, La Jolla Playhouse, Cincinnati Playhouse, and American Repertory Theatre (50 productions), among many others. Awards: Independent Reviewers of New England, Connecticut Critics' Circle, Elliot Norton Award.  David is Assistant Professor and Program Head of Sound Design at Boston University's School of Theatre.



Fall 2019

Brian Sekinger

Brian Sekinger: Stage Management Advisor, The Living/Red Speedo. Regional: A Doll's House Part 2, Once, Venus Rising, Matilda, Dear Elizabeth, Oslo, Noises Off, Disgraced, Disney's The Little Mermaid, Christmas Carol (Northern Stage), Catch Me If You Can, Peter and the Starcatcher, Disney's Newsies, Little Women, On Golden Pond, West Side Story, Godspell, How to Succeed, Crazy For You (New London Barn Playhouse), Mary Stuart (Folger Shakespeare), Stoop Stories (Studio Theatre), August Wilson's 20th Century (Kennedy Center). NYC: Cleopatra: The New Pop Experience (Theater for the New City), Daddy Long Legs (Davenport Theatricals), Claudio Quest (NYMF), Zombies on Broadway (RKO Stage), Sheila's Day (Lincoln Center Education), (Prospect Theater). MFA: Carnegie Mellon University.